If this page, and the last one, for that matter, look a bit rough, it’s because they were drawn on an improvised standing desk when my poor IKEA chair gave up the ghost. It was difficult to control line thickness.
If this page, and the last one, for that matter, look a bit rough, it’s because they were drawn on an improvised standing desk when my poor IKEA chair gave up the ghost. It was difficult to control line thickness.
Whatever you might feel about the lines, the colours are breathing pure beauty. The centerpiece with the reflective marble floor, the sunset in next-to-last panel, the long shadows, the palette you used… were there lines anywhe
re?
(slipped off my mousepad and posted in mid-sentence)
Hey, thanks! I wish I really *got* color theory–after one of these chapters I might take a week off to study anatomy, perspective, or color, just to grok the basics of one of them. Right now I use Photoshop sliders to adjust things; it’s pretty easy, but it can produce some weird results when I’m not careful, since I don’t have any real system.
The reflections are the result of copying and inverting my color layer (no ink lines, just color-blobs), then blurring the result. This took something like two hours and would have looked just as good had I wiggled an appropriately-colored soft brush under each of the figures. :-/
Waaait a second- What’s to say Tamantha resists tampering with- that is, that it blocks them from getting how it works?
And another thought- Cultivattion works by some sort of special obesciance to Tamantha right? Could Anthem tap into that as long as she’s screwing around with it?
“Waaait a second- What’s to say Tamantha resists tampering with- that is, that it blocks them from getting how it works?”
That is more a failure of the Kepteriad than a property of Tamantha.
“Cultivattion works by some sort of special obesciance to Tamantha right? Could Anthem tap into that as long as she’s screwing around with it?”
WE SHALL SEE (super-helpful)