This is the most deliberately “cinematic” chapter I’ve ever written, and its pacing is derived more from Ellis, as I’ve mentioned, than my usual inspiration, Alan Moore. Moore is a comic writer for comics and seems to shape everything he writes to fit the medium; Ellis, by contrast, pulls from movies and television a lot more often. The way I write my comics has definitely changed since I first started WPK three years ago.
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Well, it is his possible death.
Might as well go out in style.
I swear, your sense of pacing makes me think that this would make an excellent film. This scene would probably win you an Emmy.
Thank you!
This is the most deliberately “cinematic” chapter I’ve ever written, and its pacing is derived more from Ellis, as I’ve mentioned, than my usual inspiration, Alan Moore. Moore is a comic writer for comics and seems to shape everything he writes to fit the medium; Ellis, by contrast, pulls from movies and television a lot more often. The way I write my comics has definitely changed since I first started WPK three years ago.