I really like fights like this where everybody in the group gets to contribute and you get to pair characters with related skills together.
Put the girl with the deadly sword but no skill using it with a master swordsman!
Magic (technology) powers of human versus the technology (magic) gun of elves! Man-animal creations of a dragon destroyer versus followers of a dead mad god!
And to top it all off, put the entire thing on top of an upside down spaceship with an acid pit in the middle of it with a victim dangling above!
Hey, thanks! It’s tricky to coordinate big groups, especially given the number of pages I permit myself. I could expand any given fight to ten or twenty pages, but I’m trying to exercise restraint and to focus just on the important events–the shifts in who’s on the offensive and who’s in trouble. It means that the comic isn’t as action-packed, but it allows me to zero in on the exciting bits. One of my goals right now as a writer is to remove slackness in my drama, and focusing on the most important parts of a fight really helps.
Hah! Yeah, “while your friends are dangling over a pool of soul-flensing acid” is not a particularly good time for a confession.
Huh. That worked. I’m not sure it was suppose to.
“A man chooses, a slave obeys.”
I really like fights like this where everybody in the group gets to contribute and you get to pair characters with related skills together.
Put the girl with the deadly sword but no skill using it with a master swordsman!
Magic (technology) powers of human versus the technology (magic) gun of elves! Man-animal creations of a dragon destroyer versus followers of a dead mad god!
And to top it all off, put the entire thing on top of an upside down spaceship with an acid pit in the middle of it with a victim dangling above!
@Nam
Hey, thanks! It’s tricky to coordinate big groups, especially given the number of pages I permit myself. I could expand any given fight to ten or twenty pages, but I’m trying to exercise restraint and to focus just on the important events–the shifts in who’s on the offensive and who’s in trouble. It means that the comic isn’t as action-packed, but it allows me to zero in on the exciting bits. One of my goals right now as a writer is to remove slackness in my drama, and focusing on the most important parts of a fight really helps.